Joseph Morris Named Winner of Houston Symphony’s 2017 Ima Hogg Competition


The Houston Symphony announces clarinetist Joseph Morris as the winner of the 42nd annual Ima Hogg Competition, one of a few annual nationwide multi-instrument competitions. The announcement was made in front of a live audience on Saturday, June 3, after the finals concert at Rice University’s Stude Concert Hall.

A partnership between the Houston Symphony League and the Houston Symphony, the prestigious competition identifies and supports outstanding young instrumentalists and their pursuit of careers in music. Chaired by Barbara McCelvey, this year’s Ima Hogg competition attracted nearly 80 candidates ranging from ten instruments and a wide variety of nationalities.

The Grace Woodson Memorial Award was presented to Morris by John and Tracy Dennis in memory of John Dennis’ grandmother, a close friend of Miss Ima Hogg. A 2012 graduate of USC’s Thornton School of Music, Morris took home a cash prize of $25,000 and a gold medal, in addition to earning a solo appearance with Houston Symphony at the Donor and Subscriber Appreciation Concert on Wednesday, July 12th, at Jones Hall.




Pacific Symphony Principal Clarinet

PacSymLogoJoseph Morris will join the Pacific Symphony of Orange County, California as Principal Clarinet this summer after being chosen as the winner of their May auditions for the position.

Pacific Symphony, currently in its 37th season, is led by Music Director Carl St.Clair, who celebrates his 26th season with the orchestra in 2015-16. The largest orchestra formed in the U.S. in the last 50 years, the Symphony is recognized as an outstanding ensemble making strides on both the national and international scene, as well as in its own community of Orange County.

For more information visit

Copland Clarinet Concerto with Madison Symphony Orchestra: News and Reviews

“It was that gorgeous and that elegiac, that moving and that unforgettable. It was nothing short of sublime.”
– Jacob Stockinger, The Well-Tempered Ear

“Morris’s clarinet effortlessly lifted in zephyr-like phrases that soared and glided through the strata of sonic layers in the upper strings.”
– Greg Hettmansberger, Madison Magazine

“Morris’ performance was by turns subtle and fierce.”
– Jessica Courtier, Capital Times

“The absolutely brilliant new, young first clarinetist of the orchestra, Joseph Morris, is a fabulous soloist. During simple passages and extremely demanding fast ones, he is able to meet the great virtuosic demands while also demonstrating the nuances of color of which the clarinet is capable.”
– John Barker, The Isthmus


To read the reviews in more detail, visit the Press page.

Read Joe’s pre-concert interview with Jacob Stockinger of Well-Tempered Ear here.

Read Joe’s pre-concert interview with Greg Hettmansberger of Madison Magazine here.

Listen to Joe Morris and John DeMain on Wisconsin Public Radio’s The Midday Show with Norman Gilliland here.

Watch Joe live on WMTV15:



Madison Symphony Orchestra’s 2015-16 Season To Feature Principal Clarinetist Joseph Morris in Copland’s Clarinet Concerto

“DeMain put [Tchaikovsky’s Fourth Symphony] on the first program on Sept. 25, alongside the symphony’s first performance of Copland’s Clarinet Concerto, featuring rising star and MSO principal Joseph Morris.”

Lindsay Christians
The Capital Times

Read the Capital Times Article Here.

Read the Well-Tempered Ear Article Here.

Review: Finzi Clarinet Concerto in Middleton, Wisconsin

Clarinetist Joseph Morris is Splendid in Middle Community Orchestra’s 2014 Holiday Concert

[Gerald Finzi’s] splendid Concerto for Clarinet and Strings was the astute choice of soloist Joseph Morris, the dazzling young clarinetist currently gracing the Madison Symphony Orchestra. Morris proved a virtuosic but eloquent champion of this witty and imaginative work. He was properly assertive in the opening movement, and really swinging in the playful rondo-finale. But he was particularly appealing in the beautiful middle movement, in which the orchestra’s string players demonstrated their progress as a handsomely focused ensemble.

There are not that many important clarinet concertos, much less great ones. But Morris and Kurr have allowed us to hear a great one, and one that should be placed up there close to Mozart’s masterpiece.”

John W. Barker, The Isthmus

Read the full article here.

Review: Madison Symphony Orchestra 2014-15 Season Opening Concert

“Swiss composer Frank Martin’s Concerto for Seven Wind Instruments (1949) brought DeMain off his podium and down among seven principals, arranged in a semi-circle. The orchestra, too, shrunk for this 24 minute piece, which paired strings and four percussionists with a small corps of winds.

While Martin’s concerto aimed to highlight each soloist in turn, three of the woodwinds — Joseph Morris, the symphony’s dazzling young clarinet principal, veteran oboist Marc Fink, who played the same solo when the MSO last performed this piece in 1976, and Stephanie Jutt on flute — seemed to get the flashiest parts.”
– Lindsay Christians,
The Capital Times

Read the whole article here.

Review: The 25th Token Creek Chamber Music Festival

“The composition [John Harbison’s Songs America Loves to Sing] really takes off at mid-point with #5 setting “What a Friend We Have in Jesus” in an easy swing, with #6, “St. Louis Blues,” quite naturally growing out of that sensibility. Then in “Poor Butterfly” Joseph Morris spun out a long solo/cadenza that gave us a chance to savor all of his individual mastery; when the others join the movement develops into the most profound statement of the whole piece.” – Greg Hettsmanberger, Madison Magazine

Read the whole article here.

Joseph Morris to Join the Sarasota Opera as Principal Clarinet in 2015


SarasotaOperaLogoJoseph Morris has been offered the Principal Clarinet position with the Sarasota Opera Orchestra for their 2015 season which runs from January through March in Sarasota, Florida. Highlights of this season include performances of Puccini’s Tosca, Mozart’s Marriage of Figaro, Rimsky-Korsakov’s The Golden Cockerel, and Verdi’s Don Carlos. For more information visit